ourney of the Magi is one of Eliot's most beloved Christian poems. Written in 1927, shortly after his conversion to Anglican Christianity, it retells the visit of the wise men to Bethlehem—not through the eyes of a triumphant kingmaker, but through the weary reflections of an old man looking back on the journey that changed his life forever. The poem reminds us that encountering Christ is never merely an inspiring moment. It is the beginning of a new life, and the end of a

More than fifty years ago Schaeffer described these developments with remarkable clarity. Today we see them everywhere. Yet Schaeffer was never merely a cultural critic. His purpose was never to leave Christians discouraged or nostalgic for a better age. He believed that every generation of believers faces its own challenges, and every generation is called to bear faithful witness to Jesus Christ. The question, then, is not simply, "How did we get here?" But how do we l

When a culture abandons truth, fragmentation follows. But Schaeffer believed there was an early warning system for cultural decline. Long before politicians debate new policies, long before universities teach new philosophies, and long before ordinary people recognize what is happening, artists often sense the change. Painters, novelists, poets, musicians, and filmmakers frequently reveal the spiritual condition of a civilization before the rest of society sees it.